Known for his full and lyric baritone, William Marshall is passionate about the study and vocal performance of Renaissance and Baroque repertoires. In addition to acting as a specialist in the field of early music, he also performs traditional operatic and art song repertoire. His recent career highlights include the Bach Vocal Competition for
Soprano Elissa Edwards, hailed for her “pliant, seductive, free-ranging voice” (Gramophone) and “glistening tone” (Early Music America), is a distinguished interpreter of 17th- and 18th-century vocal chamber music. A specialist in sacred repertoire, she has been featured as a soloist in numerous oratorio and cantata performances in both the US and UK. Performance highlights
Kerry Holahan, soprano, is a solo and ensemble singer acclaimed for her versatility and interpretation of Historically Informed music, especially of the Renaissance and Baroque eras. She has appeared as soloist with American Bach Soloists in San Francisco, the Baltimore Symphony Orchestra, and recently debuted with Grammy-winning vocal ensemble Seraphic Fire at the Aspen
Kristen Dubenion-Smith, mezzo-soprano, enjoys an active performing career in oratorio and sacred vocal chamber music, specializing in music of the medieval, renaissance and baroque eras. Highlights from recent seasons include Handel’s Israel in Egypt and Vivaldi’s Gloria with the Washington National Cathedral Baroque Orchestra, Bach’s Christmas Oratorio and St. Matthew Passion with the Washington
Flutist Kimberly Valerio’s sound has been described as having “sparkle and verve” by the Baltimore Sun, “gorgeous sound”, “sweet purity” by the Capital Gazette, and “graceful elegance” by the Severna Park Voice. She hold a bachelors in flute performance from the Peabody Institute where she studied with Mark Sparks. Her principal teachers have included
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with
Composer Hollis Thoms has spent his professional career as a teacher of music and English, a school administrator, and an active composer. He has had over 40 articles published in educational journals and written about 170 compositions for a variety of ensembles: operas, oratorios, symphonies, chamber works, sacred and secular vocal and choral works. Mr. Thoms
Jeffrey Williams has been hailed by The Baltimore Sun as “very likable, a winning performance sung with much confidence, phrasing everything stylishly,” and the Miami Herald as possessing a “commanding, sizeable, effortless, manly baritone.” He has portrayed a wide range of characters including Tchaikovsky’s Eugene Onegin, Lord Ruthven in Der Vampyr, Lionel in Maid of Orleans, Papageno in Die Zauberflöte, Prince Yeletsky in Pique
British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). She has performed such roles as Dinah in Bernstein’s Trouble in Tahiti, Contessa in Nozze di Figaro, and Donna Elvira in Don Giovanni. She has also premiered roles in Jonathan Dove’s Mansfield Park and Frances Pollock’s award-winning opera Stinney,
Christopher Schroeder is Minister of Music and Organist at Grace United Methodist Church and is also the Chapel Organist at St. Paul School for Boys. Chris has been a church musician for nearly 40 years, serving churches in the Baltimore area as well as churches in his home state of Indiana. Chris holds a
