Kristen Dubenion-Smith, mezzo-soprano, enjoys an active performing career in oratorio and sacred vocal chamber music, specializing in music of the medieval, renaissance and baroque eras. Highlights from recent seasons include Handel’s Israel in Egypt and Vivaldi’s Gloria with the Washington National Cathedral Baroque Orchestra, Bach’s Christmas Oratorio and St. Matthew Passion with the Washington
Phillip Collister, bass-baritone, has performed frequently as soloist with Bach in Baltimore as well as solo engagements with the Handel Choir of Baltimore, Washington Chamber Orchestra, the Washington Bach Consort, Maryland Handel Festival, the Bach Sinfonia, and internationally at the Handel Festival in Halle, Germany. He has performed at Carnegie Hall with his professional
Bass-Baritone David Dimmock is a graduate of Oberlin College. He has performed extensively the works of J. S. Bach, including the St. John and St. Matthew Passions, Magnificat, Easter Oratorio, Christmas Oratorio and over 30 of Bach’s cantatas. Local solo concert appearances have included the Handel Choir of Baltimore, the Harford Choral Society, and
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with
Charles Humphries began his vocal career in the United Kingdom as a 7-year-old chorister at Salisbury Cathedral. After graduating from the Royal Academy of Music, he was honored with the letters ARAM (Associate Royal Academy of Music) for his services to music. Known for his intelligent interpretations of Baroque and Renaissance music, he has
