FULL PROGRAM:
Bach Cantata 31: Der Himmel lacht! Die Erde jubileret (Heaven laughs! Earth Exults!)
Bach Orchestral Suite No. 4 in D major
FEATURED SOLOISTS:
Ellie Kim, soprano
Jason Rylander, tenor
John Solomon Collins, bass
*The principal cellist for this concert is endowed in memory of Dr. Hugo Moser
Bach in Baltimore concludes its 2023-2024 season with two large-scale works for choir and orchestra that celebrate joy and beauty. Cantata 31: Der Himmel lacht! Die Erde jubilieret (Heaven laughs! Earth Exults!) opens brightly with festive fanfare between the winds, strings, bass, and percussion. Conductor and Bach scholar John Eliot Gardiner notes that when the choir joins in creating a five-part chorus, it evokes “celestial laughter and worldly jubilation.” Likewise, Bach Orchestral Suite No. 4 overflows with some of the most exuberant music Bach ever composed. Bach may have associated this music with “laughter, joy, and rapture” because he recycled its opening as the first movement of his Cantata 110: Christmas Cantata: Unser Mund sei voll Lachens (“Our mouths are full of laughter”). Help us close out a fantastic year of music in Baltimore with some of the most joyous works in Bach’s canon.
John Solomon Collins, bass
John Solomon Collins was born in Washington, D.C. and raised in Prince George’s County, Maryland. Growing up, he was always surrounded by music, hearing his mother sing with the church praise team and participating in the children’s choir. He became resistant towards singing in middle and early high school, but as time went on, his love for singing and passion for creating art became clearer to him; so he decided to pursue a career in vocal performance. After winning first place in the Coalition of African Americans in the Performing Arts’s Scholarship Competition in 2020, he began studying vocal performance under Kevin Short at the University of Maryland. While there, John Solomon performed as Sylvester in OperaTerps’ production of Three Sisters Who Are Not Sisters, sang in the chorus of the Maryland Opera Studio’s production of La bohème, and was awarded second place at the Sue Guetz Ross Memorial Competition presented by the Friday Morning Music Club. He was also accepted into the Honors Performance Series, which took place last summer at the Sydney Opera House in Sydney, Australia. John Solomon is looking forward to joining the Class of 2026’s cohort of the Maryland Opera Studio, continuing his education at the University of Maryland.
Ellie Yeonjung Kim, soprano
Soprano Ellie Yeonjung Kim, originally from Seoul, Korea, completed her Master’s of Music degree at the Manhattan School of Music in New York studying under Joan Patenaude-Yarnell. Ellie’s operatic appearances include Barbarina in Le Nozze di Figaro with the Dell’arte Opera Emsemble and Lucy in Menotti’s The Telephone at the Korea National Theater.
She was recognized with “great critical acclaim” by Opera News online for the role of Rita in Donizetti’s Rita with the Martina Arroyo Foundation.
Other repertoire include Pamina in Die Zauberflöte, Sophie in Massenet’s Werther, and Laetitia in Menotti’s The Old Maid and the Thief. Ms. Kim was also featured in several opera gala concert performances at the KBS Hall in Seoul, Korea as a member of the Kim Ja-Kyung opera company.
Ms. Kim was featured as a vocal soloist with the Washington Bach Consort for their 2013 season and is a professional member of the Washington Master Chorale and has appeared as a soloist in Washington-Baltimore area. Ms. Kim currently studies with Elizabeth Daniels.
Jason Rylander, tenor
Jason Rylander has been praised by the Washington Post for his “strong, clear tenor” and for
performances that “coupled sonorous warmth and emotional depth”. He has performed with some of the
East Coast’s leading early music ensembles, including the Washington Bach Consort, Bach Sinfonia,
Cathedra, Mountainside Baroque, Opera Lafayette, and the TENET/Green Mountain Project. Recent solo
performances include the Evangelist in Bach’s St. John Passion, Handel’s Messiah and Acis and Galatea,
Haydn’s Creation, the Monteverdi Vespers, the Mozart Requiem, and a concert of Dowland’s lute songs
on the Kennedy Center’s Millennium Stage. Jason has also performed at the American Bach Soloists
Festival, Amherst Early Music Festival, and the Tafelmusik Baroque Summer Institute. When not singing,
Jason serves as the legal director for the Climate Law Institute at the Center for Biological Diversity, and
is interested in linking music and social change. He currently resides with his wife, children, and a red
labrador retriever, in Arlington, Virginia.
MSB Center for the Arts
3400 Norman Avenue
Baltimore
Plentiful street parking available in neighborhood setting.
Conveniently located in Baltimore’s Mayfield neighborhood, the Center for the Arts is home to the Maryland State Boychoir. Bach in Baltimore is grateful to The Maryland State Boychoir Center for the Arts for inviting us to share their home.
See more here.
PURCHASE TICKETS & PASSES
PURCHASE INDIVIDUAL TICKETS:
Purchase single event tickets. Want to save money? Check out our Saving Pass Options. Children ages 0-4 do not need a ticket.
Ticket sales end on Sunday, June 2 at 4:15 pm.
If you experience any problems with purchasing tickets online, please contact us by email at bachconcertseries@bachinbaltimore.org or call us at 410-941-9262. Thank you!
PURCHASE FULL SEASON PASS:
Attend ALL Concerts in our 2023-2023 Season with this All-Access (and Transferable) Pass. Total Value:$400.00.
Standard priced Full Season Pass sales end on January 1.
PURCHASE MINI PASS:
Attend ANY 3 concerts of YOUR choice and save.
Total Value: $115.00
Early Bird Mini Pass sales end on June 30. Standard priced Full Season Pass sales end on April 21.