COPLAND APPALACHIAN SPRING & MOZART CLARINET CONCERTO
Go beyond Bach and across the Millennia with Copland and Mozart
Sunday, May 21 at 4 p.m.
Church of the Redeemer
5603 N. Charles Street
FULL PROGRAM:
Copland’s Appalachian Spring (original arrangement for 13 instruments)
Mozart’s Clarinet Concerto in A Major, K. 622
FEATURED SOLOISTS:
Kathryn Locke, piano
Peter Cain, clarinet
Go beyond Bach with an instrumental pairing of 20th century and 18th century masterpieces by two behemoths. Though American Aaron Copland’s iconic 20th century work is titled Appalachian Spring, the genesis of the work had nothing to do with Appalachia or spring. Commissioned for a ballet to be choreographed for the equally famous Martha Graham, Copland painted a musical backdrop for a story that would depict a farmhouse, a pioneer wedding, and a young couple at the brink of future joys and hardships. Bach in Baltimore will present Copland’s original version of this work written for 13 instrumentalists. Mozart’s final instrumental composition, Clarinet Concerto in A Major will conclude the program, featuring Peter Cain, clarinetist from the National Symphony Orchestra. It is widely regarded as the greatest clarinet concerto and is among the finest written for any solo instrument. The work was written for Anton Stadler, a virtuoso basset horn and clarinet player. Mozart and Stadler were close friends and strong collaborators; Mozart wrote, among other works, both his Clarinet Concerto and Clarinet Quintet for Sadler.
Kathryn Locke, piano
Pianist Kathryn Locke has been the accompanist for Bach in Baltimore since 2019. In 2017, she became the Music Director of the Harford Choral Society, having served as their accompanist since 2005. She is currently a faculty member at Loyola University Maryland and Harford Community College and has served on the faculties of the Garrison Forest School, Essex Community College, and the Baltimore School for the Arts. She was also the Manager of Baltimore’s Shriver Hall Concert Series for five years. As a pianist, Mrs. Locke has played for the Baltimore Symphony Orchestra, the Handel Choir of Baltimore, Center Stage, the Harford Choral Society, and the Children’s Chorus of Maryland. She has given recital performances with members of the BSO on several chamber music series, including those at Second Presbyterian Church and Towson University. Mrs. Locke holds a BMED with an emphasis on choral music and a Master of Music in Piano Performance from the Peabody Conservatory of The Johns Hopkins University.
Peter Cain, clarinet
Peter Cain joined the National Symphony Orchestra as its bass clarinetist in 2016. He previously held positions with the Columbus Symphony, Dayton Philharmonic, and Knoxville Symphony Orchestras. An avid soloist and chamber musician, Peter has performed at recitals, conventions, and festivals from Italy to China to Aspen. In the Washington area he has performed on the NSO’s Millennium Stage, Mt. Vernon, SoundHealth, and In Your Neighborhood chamber music series, as well as at the Appalachian Chamber Music Festival. He also has been on faculty at Lee University and Blue Lake Fine Arts Camp and regularly gives master classes at universities throughout the country. Peter attended Vanderbilt University, the University of Minnesota, and the University of Cincinnati College-Conservatory of Music (CCM), where he received his Doctor of Musical Arts degree. He studied clarinet with Richie Hawley, Burt Hara, and Cassie Lee, and bass clarinet with Ron Aufmann.
Church of the Redeemer
5603 N. Charles Street, Baltimore
FREE parking available on site.
“The Church of the Redeemer is a community of 700 households in Northern Baltimore who strive to worship, care, serve and grow in Christ’s name. We welcome all those who, like us, search for a sense of the sacred, a sense of belonging, and a sense of being part of something larger than ourselves. ”
Learn more here.