Soprano Elissa Edwards, hailed for her “pliant, seductive, free-ranging voice” (Gramophone) and “glistening tone” (Early Music America), is a distinguished interpreter of 17th- and 18th-century vocal chamber music. A specialist in sacred repertoire, she has been featured as a soloist in numerous oratorio and cantata performances in both the US and UK. Performance highlights
Principal flute of the Baltimore Opera Orchestra for twenty two seasons, Sara Nichols has appeared as guest principal flute with the Baltimore and St. Louis Symphony Orchestras and the Opera Theatre of St. Louis. She has performed with the Maryland Opera, Bach in Baltimore, Baltimore Choral Arts Society, Baltimore Chamber Orchestra, Wolf Trap Orchestra,
Soprano Ellie Yeonjung Kim, originally from Seoul, Korea, completed her Master's of Music degree at the Manhattan School of Music in New York studying under Joan Patenaude-Yarnell. Ellie's operatic appearances include Barbarina in Le Nozze di Figaro with the Dell'arte Opera Emsemble and Lucy in Menotti's The Telephone at the Korea National Theater. She was recognized with "great critical
Kerry Holahan, soprano, is a solo and ensemble singer acclaimed for her versatility and interpretation of Historically Informed music, especially of the Renaissance and Baroque eras. She has appeared as soloist with American Bach Soloists in San Francisco, the Baltimore Symphony Orchestra, and recently debuted with Grammy-winning vocal ensemble Seraphic Fire at the Aspen
Phillip Collister, bass-baritone, has performed frequently as soloist with Bach in Baltimore as well as solo engagements with the Handel Choir of Baltimore, Washington Chamber Orchestra, the Washington Bach Consort, Maryland Handel Festival, the Bach Sinfonia, and internationally at the Handel Festival in Halle, Germany. He has performed at Carnegie Hall with his professional
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with
British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). She has performed such roles as Dinah in Bernstein’s Trouble in Tahiti, Contessa in Nozze di Figaro, and Donna Elvira in Don Giovanni. She has also premiered roles in Jonathan Dove’s Mansfield Park and Frances Pollock’s award-winning opera Stinney,
Tenor Dr. Min Jin has a versatile and wide-ranging career as a leading operatic tenor, recitalist, conductor, and voice professor. Praised for his easy lyricism, emotional intensity, and extraordinary top notes, Dr. Jin has delighted audiences throughout the world. He has appeared at Carnegie Hall and Lincoln Center as a recitalist, opera performer, and oratorio soloist with choral societies. His past opera performances include leading roles
