Kate Vetter Cain, soprano

Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles.  She is pleased to return for her third season as a soloist with Bach in Baltimore.  She has sung a soloist and ensemble member for many seasons with

Kate Vetter Cain, soprano2024-07-05T13:05:35-04:00

Kristen Dubenion-Smith, mezzo-soprano

Kristen Dubenion-Smith, mezzo-soprano, enjoys an active performing career in oratorio and sacred vocal chamber music, specializing in music of the medieval, renaissance and baroque eras. Highlights from recent seasons include Handel’s Israel in Egypt and Vivaldi’s Gloria with the Washington National Cathedral Baroque Orchestra, Bach’s Christmas Oratorio and St. Matthew Passion with the Washington

Kristen Dubenion-Smith, mezzo-soprano2024-07-05T11:39:15-04:00

Elissa Edwards, Soprano

Soprano Elissa Edwards is an exponent of Early Music and hailed for her 'pliant, seductive, free-ranging voice’ (Gramophone) and her ‘glistening tone’ (Early Music America). She is also a sacred music specialist and has been a featured soloist in many oratorio and cantata performances in the US and UK. Performance highlights include featured appearances at the Washington National Cathedral, the

Elissa Edwards, Soprano2024-07-15T09:45:26-04:00

Kerry Holahan, Soprano

Kerry Holahan, soprano, is a solo and ensemble singer acclaimed for her versatility and interpretation of Historically Informed music, especially of the Renaissance and Baroque eras. She has appeared as soloist with American Bach Soloists in San Francisco, the Baltimore Symphony Orchestra, and recently debuted with Grammy-winning vocal ensemble Seraphic Fire at the Aspen

Kerry Holahan, Soprano2024-07-15T09:34:54-04:00

Melissa Wimbish, soprano

binary comment In the world-premiere of Josephine with UrbanArias, “... the afternoon belonged to Melissa Wimbish, who was creating the role of Josephine Baker ... Beautifully prepared, vocally stunning, and theatrically riveting, Wimbish effortlessly held the audience in her hand throughout this one-woman show.” (Washington Post) In 2016, she made her Carnegie

Melissa Wimbish, soprano2024-07-01T17:05:21-04:00

Eric F. Carey, tenor

Noted for his “silken tenor”(Opera News), Eric Finbarr Carey is the most recent winner of the Meyerson Zwanger award and 2nd prize in the New York Oratorio Society competition at Carnegie Hall.  This season he presents a varied repertoire of the renaissance to music being written today. This season in concert Carey will be

Eric F. Carey, tenor2024-07-01T16:41:55-04:00

Ben Ellerin, tenor

Cantor Ben Ellerin became the cantor and music director at Baltimore Hebrew Congregation in 2018. He holds a Master of Sacred Music and ordination from Hebrew Union College in New York and completed his undergraduate and graduate degrees in Vocal Performance and Choral Conducting at Indiana University’s Jacobs School of Music. In addition to

Ben Ellerin, tenor2024-07-05T13:02:45-04:00

Dr. Min Jin, tenor

Tenor Dr. Min Jin has a versatile and wide-ranging career as a leading operatic tenor, recitalist, conductor, and voice professor. Praised for his easy lyricism, emotional intensity, and extraordinary top notes, Dr. Jin has delighted audiences throughout the world. He has appeared at Carnegie Hall and Lincoln Center as a recitalist, opera performer, and oratorio soloist with choral societies. His past opera performances include leading roles

Dr. Min Jin, tenor2024-07-01T16:44:33-04:00

Joseph Regan, tenor

Joseph Regan is thrilled to be returning to the Bach in Baltimore Concert Series this season. Mr. Regan is a highly sought after performer whose singing has taken him all over the Eastern Seaboard and parts of Europe. Recent highlights from the opera stage include a turn as Azaël from Debussy’s L’Enfant Prodigue for

Joseph Regan, tenor2024-07-01T16:59:22-04:00

Brian Ming Chu, bass

Acclaimed by the Washington Post for his “sterling performances,” baritone Brian Ming Chu has established himself onstage as a dynamic interpreter of music from the Baroque to the Great American Songbook.  Hailed for his “rich, authoritative tone" (Kansas City Metropolis), and “range, agility, and expressive storytelling ability” (Monterey Herald), he has been a regular

Brian Ming Chu, bass2024-07-15T09:53:09-04:00
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