Due to the current state of affairs, we have cancelled the B Minor Mass Concert.
CANCELED: B MINOR MASS
Sunday, May 3 at 4 p.m.
Towson United Methodist Church, 501 Hampton Lane, Towson
This concert was part of Bach in Baltimore’s 2018-2019 Season. View the full season in our Archives.
FULL PROGRAM:
Bach’s B Minor Mass
FEATURED SOLOISTS:
Katherine Vetter Cain, Soprano I*
Claire Galloway, Soprano II**
Jeffrey Fahnestock, Tenor
William Marshall, Bass***
* The soprano soloist for this concert is endowed in perpetuity in memory of Anne Hortense Pruitt Dimmock
** The soprano soloist for this concert is endowed in perpetuity in honor of Dr. Martha Connolly
*** The bass soloist for this concert is endowed in perpetuity in memory of Ensign C. Markland Kelly, Jr.
**** The first trumpet for this concert is endowed in perpetuity in memory of Dr. and Mrs. Benjamin L. Harris
***** The first horn for this concert is endowed in the memory of Martin Krenzke; given by Patricia A. Krenzke
Learn more about our Permanent Endowment Fund HERE
There is no question. The crown jewel in Bach’s oeuvre is the heavenly B Minor Mass. It represents Bach’s lifelong and tireless artistry as a composer and musician of the highest caliber and is a grand synthesis of his every musical innovation and contribution. Bach began the B Minor Mass early in his career and didn’t finish it until the very end of his life when he had already gone blind. Bach never got a chance to hear a full performance of his magnum opus, but his virtuosity lives on forever with the B Minor Mass.
Tickets: $40 Regular / $42 Door
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has allowed her to collaborate with some of our region’s most renowned ensembles. She is pleased to return for her third season as a soloist with Bach in Baltimore. She has sung a soloist and ensemble member for many seasons with the Washington Bach Consort, and has especially enjoyed both soprano solo parts in the Mass in B-minor and many cantata solos with the late and much beloved J. Reilly Lewis. Kate has also been a soloist for Leonard Slatkin with the National Chamber Players in Mahler’s 4th Symphony, for Kenneth Slowik in BWV 51 “Jauchzet Gott,” and also with the Cathedral Choral Society, Baltimore Symphony Orchestra with conductor Marin Alsop, Folger Consort, Chantry, Cathedra, Washington Concert Opera with conductor Antony Walker, Orchestra of St. Luke’s with conductor Will Crutchfield, Washington Ballet, DC’s In Series, Ash-Lawn Highland Festival, Caramoor Festival Opera, Tanglewood Music Center, and Off-Broadway with The New York Gilbert and Sullivan Players. Kate earned a B.A. in History from Yale University, as well as a Master in Voice from Manhattan School of Music and a DMA from the University of Maryland, and served for ten years as music teacher at a bilingual DC public charter school. Kate currently maintains a private voice studio in Washington, DC. British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). She has performed such roles as Dinah in Bernstein’s Trouble in Tahiti, Contessa in Nozze di Figaro, and Donna Elvira in Don Giovanni. She has also premiered roles in Jonathan Dove’s Mansfield Park and Frances Pollock’s award-winning opera Stinney, seen in the 2019 Prototype Festival. In 2018 Ms. Galloway was a semifinalist in the Mildred Miller International Voice Competition and a finalist in the Saltworks Opera Competition and will join Saltworks Opera to sing Blanche in Poulenc’s Dialogues of the Carmelites this Summer. She will portray Vitellia (La Clemenza di Tito) with Lidal North, Oslo and reprise her role as Blanche (Dialogues) under the direction of Fabrizio Melano in the Savannah Voice Festival. In past seasons, Ms. Galloway has performed with Baltimore Concert Opera, the Savannah Voice Festival, Bel Cantanti Opera, and Stillpointe Theatre. This season she will present a recital based on the life of Rosa Ponselle at the elegant George Peabody Library. Ms. Galloway is a curator of the related Ponselle exhibit at the Peabody Institute, where she currently teaches. Ms. Galloway’s innovative recital programming has resulted in the best-attended concert event at the Baltimore War Memorial Arts Initiative in past seasons. A frequent soloist with Concert Artists of Baltimore, Ms. Galloway has also performed concert and oratorio works with Bach in Baltimore, the American Symphony Orchestra, and the Peabody Concert Orchestra. Known for his full and lyric baritone, William Marshall is passionate about the study and vocal performance of Renaissance and Baroque repertoires. In addition to acting as a specialist in the field of early music, he also performs traditional operatic and art song repertoire. His recent career highlights include the Bach Vocal Competition for American Singers as part of the Bach Choir of Bethlehem Bach Festival, Early Music America’s Young Performers Festival with The Baltimore Bach Ensemble, and the American Bach Soloists Academy in San Francisco. William has portrayed opera roles such as Belcore in L’elisir d’amore, Aeneas in Dido and Aeneas, Count Almaviva in Le Nozze di Figaro, and Papageno in The Magic Flute. On the concert stage, he has been a featured soloist for Bach’s B Minor Mass, Handel’s Messiah, Mozart’s Requiem, and Orff’s Carmina Burana among others. William Marshall holds a Master of Music degree in Historical Performance from the Peabody Conservatory and Bachelors degree in Music Education from Rowan University. www.williammarshallbaritone.com Tenor Jeffrey Fahnestock has performed a wide range of repertoire across the United States, Great Britain, Germany, and Japan. He sings a variety of oratorio literature for lyric tenor, including Handel’s Messiah, Mendelssohn’s Elijah, Haydn’s Creation, Dvorak’s Stabat Mater, Britten’s Saint Nicolas, Monteverdi’s 1610 Vespers, and J.S.Bach’s Mass in B Minor, Johannespassion, Matthäuspassion, and the cantatas. Fahnestock has appeared as a soloist with the Washington Bach Consort, Tulsa Oratorio Chorus, Baltimore Choral Arts Society, the Folger Consort, Rochester Bach Festival, and Cayuga Chamber Orchestra, among many others. As an operatic soloist, Mr. Fahnestock has performed works by Mozart, Britten, Ravel, Cavalli, Bononcini, Donizetti, Verdi, and Massenet in Baltimore, Harrisburg, Rochester, Washington, and at the Aspen Music Festival. Mr. Fahnestock is a graduate of the Eastman School of Music and The Peabody Institute. He was awarded Fellowships for the study of art song and opera at the Tanglewood Music Center, Ravinia Festival’s Steans Institute, and Kent/Blossom Music Festival. In addition, Fahnestock studied for two summers at the Aspen Music School and Festival. Currently on the faculties at Susquehanna University and Gettysburg College, Mr. Fahnestock teaches applied voice, vocal literature and lyric diction. He is also the co-director of Susquehanna University’s GO-Japan (Global Opportunities) Program, a chamber music residency at Niigata University and travel to Sado Island and Tokyo. Fahnestock taught previously at Dickinson College and Bryn Mawr Conservatory. He has recorded for Albany and Guild, and been a featured soloist on radio and television broadcasts in the United States.Kate Vetter Cain, soprano
Claire Galloway, alto
William Marshall, baritone
Jeffrey Fahnestock, tenor