Timothy Mix has performed all across the United States, appearing regularly with such companies as the San Francisco Opera, the Santa Fe Opera, and Opera Theatre of Saint Louis. He has sung Ping in Turandot with the LA Philharmonic under the baton of Gustavo Dudamel and returned for Sibelius’ The Tempest, conducted by Susanna Mälkki. With the Florida Orchestra he performed the Verdi Requiem, conducted by Michael Francis. The Oregon Symphony brought him to Portland for Carmina Burana. He has also performed the Faure Requeim, the Brahms Requiem, and Beethoven’s 9th symphony with various orchestras. More locally, he performed with the Baltimore Symphony under Yuri Temirkanov and is a regular guest of the Baltimore Concert Opera and the Russian Chamber Art Society in Washington DC. With the Washington National Opera he has sung both Ford in Falstaff and Renato in Un Ballo in Maschera. Recently he appeared as Scarpia in Tosca with the Annapolis Opera and Elder Thompson in Glory Denied with Urban Arias in DC. Also with Urban Arias, he took part in the world premiere of The Last American Hammer as Milcom Negley, a role which he reprised with the Pittsburgh Opera. A regular performer with Opera Delaware, Tim has sung Claudio in Amleto, Joseph De Rocher in Dead Man Walking, and recently Dr. Malatesta in Don Pasquale. In the near future he will be performing in a tour of a new adaptation of Beethoven’s Fidelio with Heartbeat Opera and will reprise the role of Joseph De Rocher with Opera Idaho.